Matthew Sage

Matthew Sage

M. SAGE - "Three Bashful Stallions"
PatientSoundsAV
2014/02/24
From the 2xLP - "A Singular Continent"
Available winter 2013, only on Patient Sounds.
http://patientsounds.com
http://msage.bandcamp.com
information on the limited edition artbook
and deluxe vinyl edition here:
http://nathanielwhitcomb.com/collage/...

「真北について常に理想主義者を何かが当惑させた。プレートはより明瞭な最上層をガイドするために確立される。自由な希望の真実の破片; 人間の条件、コンパスの必要がないゆえに手をつけない景観。英国の道はジャングルを貫通する。アフリカの群は北海の海岸で草を食う。操作の無作為化に喜びを見つけること; 地球は、その部分からゆっくり改良された。」ギター、エレクトロニクス、サンプルとフィールド・レコーディングによって未知の領域の音楽は録音され、1つの感覚の継続、完全な別のものの中の意外な新事実。M.セージの音楽はすべて保存された夢の切れ端をコラージュする。アイオワの詩人Grant Soudersは、北部,南部、東部、西部の4つの詩を構築した、その抽象的な観察、および超現実的な謎。2xLPには手製のコラージュが添付されている。

Matthew Sage ‎– A Singular Continent‎ ‎– music for the imaginary landscape

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1.Bandit: Cloak Italics02:48 2.Three Bashful Stallions07:44
3.Vanishing Point (shell)06:53 4.Gulls Over Landfill Caldera13:18
5.Karma Repair / The Drags04:38 6.Pale Blues (for Wenzel)03:36
7.Egret Fragment02:14 8.Hanger Meridian I-III06:02
9.Asleep in the Vestibule (parade)17:11

Patient Sounds PSC002
released 27 February 2014
devotional ambient americana analog experimental hauntology home recording neo-classical plunderphonics sound collage Chicago

composed, edited & arranged by Matthew Sage
guitars, midi, violin, electronics & field recordings
accompanied by the Continent Strings
Chris Jusell - violin
Allison Sheldon - cello
additional instrumental accompaniment
Michael McGregor - synth, osc
Alex Runge - guitar, iron & concrete
Matt Wenzel - saxophone
poetic accompaniment: Grant Souders
cover collage & visual accompaniment: Nathaniel Whitcomb
recorded in various home recording scenarios:
fort collins, colorado / chicago, illinois / brooklyn, new york
assembled & arranged:
Briar Plateaux Studios: Fort Collins, Colorado
October 2012 - February 2013
audio mastering:
Mark Kuykendall at Unknown Tone Studios
Tulsa, Oklahoma
Recorded in various home recording scenarios in
Fort Collins, Colorado / Chicago, Illinois / Brooklyn, New York
Released by Patient Sounds (Intl)
Mastered for vinyl by Mark Kuykendall at Unknown Tone Studios in
Tulsa, Oklahoma.
layout & design by bonnie & caprice
Printed and assembled in
London, England / Montréal, Québec / Brooklyn, New York
Published by Palaver Press
PATIENT SOUNDS ( INTL ) 2014

「記述は全く意味と関係がありません。それは、これから来るために国々の写像を含む測地術と地図作成と関係します。」ジル・ドゥルーズ
M.セージのフィールドレーディング、ジェントル・エレクトロニクスおよび影響を受けたインストゥルメンテーションの使用によるタペストリーへの接近はスペースの韻律学を解くことです。文字、音節あるいは句の解剖の後ろの意図にかかわらず、その言葉は栄えて、新しい構造を作るだろう。M. セージの " 珍しい大陸 " は情緒的に運転されたプレートに従う相互作用の地図作成より純粋に耳の経験は変わる‥‥またその環境はリズムの中で変動する、音楽は芸術形式として達成することができる、比較的役立たない政治の向こうの練習する呼吸‥‥また代替現実の根拠を計画すること‥‥。

NORTH

NORTH

Bright skirt that that stranger wears only today
only when upon seeing her and you know each thing
you see equally. There is a rhythm to what is asked.
A small bus packed with the anonymous tells us
we haven't been there yet. We haven't taken out our
hammer yet. We haven't damned out the soles of our feet
to shake again at the immovable beings. The ocean
is always a certain distance from here. Even when. Never
in it. It is good to ask questions. Like, How do you
assess where fragility is concerned? And you feel
confident that you have entered the tunnel burrowing
a slit of mountain. You feel confident you know you have
entered into it.

EAST

EAST

At first was a shell broke in a singular continent. Several
spirals still unrecognizable as once is only once. Something.
Something breaks. There is another we do not see. They who you traced
and were ashamed of greed. Rescued by vanishing point.
Looking to it is taking it. From the vanishing point and holding.
A piece as one egret in the strobe of lightning is held.
In flashes as egret then as halflight afterimage. Double mouthed.
A foreigner preceding a foreigner. An appetite. In which.
Egret approaches egrets.
Once we were many. Fish in our mouths.
Then glows.
And lies over each parade.

SOUTH

SOUTH

After the moon, nostalgia. A missile for a wall.
The forgotten cathedral lies
near the paper mill full of rodents
licking at the vat of spoiled bones. Why not
take out your hammer and hammer? Something
pink at the surface emerges. An afternoon spent
looking at the ocean. Never in it. Rupture the
mountain. Gave way to the cracking open.
If we can say cathedral, then pagoda.
If time, then blood.
You cannot count the dead.
Use everything you've built.

WEST

WEST

A trip to the mission after all the nuns and saints
have left us. A piece of plaster. You ask is this plaster
that is splitting and no one answers so you touch it.
As though silence were a kind of permission. Sensation
builds its own eye. Lucidity by accident, if only by.
The wall cannot bear you. Time has made you weak
and you do not know what language to speak here.
Silence holds the world of sound. And there is no
violence in realizing you've walked into
something else's home.

***

http://nathanielwhitcomb.com/collage/singular-continent.html

http://stadiumsandshrines.com/?p=13653

A Singular Continent
by M. Sage
http://msage.bandcamp.com/album/a-singular-continent

PlayExperimediam. sage - a singular continent (shop excerpts)
Experimedia
m. sage - a singular continent (shop excerpts)

M. SAGE - "Gulls Over Landfill Caldera"
PatientSoundsAV
2014/02/24
From the 2xLP - "A Singular Continent"
Available winter 2013, only on Patient Sounds.
http://patientsounds.com
http://msage.bandcamp.com
information on the limited edition artbook
and deluxe vinyl edition here:
http://nathanielwhitcomb.com/collage/singular-continent.html
filmed by: Tiffanie Collins & Matthew Sage
edited by: Matthew Sage

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