James Ginzburg & Yair Elazar Glotman
Nimbesは、観察の存在論および宇宙起源論とその関係、知能についての概念および特性を探る。
宇宙が出現するとともに、新生の構造は発生し、その展開を決定する。
観察の展望から、知能は私たちがいる宇宙の創発特性です。
あたかも、展開する過程に参加する望みから、私たちがアーキテクチャー物語の両方を作成するかのように、宇宙起源論の反復、宇宙（私たちのアクションはすべてそれに大宇宙の規模で記号表現を見つける）の小宇宙。
しかし、このプロセス内では、疑問が生じます、線形の連続性は、私たちが固体の概念(それらは私たちのアーキテクチャー、私たちの話のグラウンドのために基礎を提供した)を基づかせる安定の仮説の不確実性によって中断されます。
観察、しかしながら、経験（それ自体を非可視に見ることができず、永久に残るレンズ）をすべて結合する糸。
Nimbes
Audiovisual piece – 15 minutes
by Joanie Lemercier and James Ginzburg
Nimbes explores the ontology of observation and its relationship to cosmogony, notions of intelligence and individuality.
As a universe comes into being, emergent structures arise and determine its unfolding. From the perspective of observation, intelligence is an emergent property of the universe in which we find ourselves. As if from a desire to participate in the process of unfolding, we create both architectures and narratives, repetitions of the cosmogony, microcosms of the universe, in which all our actions find symbolic expression on a macrocosmic scale. But within this process, questions arise, linear continuity is interrupted by the uncertainties of the hypothesis of stability on which we base our solid notions, which have provided the foundations for our architectures, the grounds of our narratives. Observation however, the thread which unites all experience, a lens that can not see itself, invisibly and perpetually remains.
Joanie Lemercier
http://joanielemercier.com/nimbes/
James Ginzburg & Yair Elazar Glotman – Nimbes - Original Soundtrack
A Nimbes
B1 Nimbes (Yair Elazar Glotman Ember Mix) Remix – Yair Elazar Glotman
B2 Nimbes (Eric Holm's 10/50 Mix)
Subtext – SUB012
Vinyl, 12", EP
UK
Released: 2014
Electronic
Ambient, Modern Classical
written by James Ginzburg & Yair Elazar Glotman
produced, mixed and mastered by James Ginzburg at Multiverse, Bristol UK
published by Multiverse Media Publishing
recorded at Kraftwerk, Berlin De
images by Joanie Lemercier
design by John Coulthart
contrabass - Yair Elazar Glotman
percussion - Brandon Rosenbluth
recording engineer - Kai Schoormann
*
Nimbes is a 360° Film by
Joanie Lemercier & James Ginzburg
www.joanielemercier.com/nimbes
www.subtextrecordings.net
https://twitter.com/subtextrecords
SUBTEXT 2014
ブリストルを拠点にヴィジュアルレーベルAntiVJで活動するフランスの芸術家Joanie Lemercier。ルメルシエは、光学的錯覚を応用したユニークな光実験や装置をもとにスペースの認識を再現する。水平な長方形のスクリーン映像の制限から外れて、彼は平面、彫刻あるいは建物に投影することにより特異的な経験を生み出し催眠術をかける。ルメルシエの光の彫刻では、身体的見地を三次元の彫刻スクリーンにもたらして別のレベルへの経験を発生させる。ルメルシエのAV " Nimbes " の共同作業は、エンプティセットの James Ginzburgと、サウンドアーティストYair Elazar Glotmanによってモダンクラシカル、エレクトロ・アコースティック・サウンドトラックとして構築されている。「森林の実際の映像から始めて、大聖堂、砂漠、また世界中からの火山などを3Dモデリングと2Dフォトスキャンを使用し宇宙創世の物語を点描画法イメージによって作り上げた夢のようなコンビネーション」と評された。演奏者としてコントラバス奏者Yair Glotmanと打楽器奏者Brandon Rosenbluthも参加。録音はベルリンのempty powerplan、その後ミックスと編集をブリストルでギンズブルグによって行われ，最終ミックスがモントリオールのthe Societe des Arts et Technologiesでのthe projection domeの中で行われた。多くのサブテキスト作品の背後に広がる孤独な物語はインダストリアルではあるが、気が遠くなるほどの黒い存在論の大気に包まれている。内臓をごろごろ鳴らすためにサタンによって発明されたと言われるダブルベース＝コントラバスの洞穴状の衝撃と痙攣。なによりも先にこのAV " Nimbes " を経験しなきゃ話にならないね。
Nimbes trailer
from Joanie Lemercier
Nimbes
Audiovisual piece – 15 minutes
by Joanie Lemercier and James Ginzburg
Soundtrack out now on Subtext recordings subtextrecordings.net
Touring in Dome and theater formats in 2015
VISUALS:
Joanie Lemercier
Software development: Nikolay Matveiev
Laser scan of a forest by Ecosynth project
MUSIC:
James Ginzburg
Contrabass – Yair Glotman
Percussion – Brandon Rosenbluth
Location Recording Engineer – Kai Schoormann
Special thanks to Laurens Von Oswald & Kraftwerk Berlin
PRODUCTION:
Artist production – Juliette Bibasse
coproduced with SAT Montreal.
Photos at Satosphere by Sebastien Roy.
http://joanielemercier.com/nimbes/
NOVEMBER 2014
Subtext recordings presents the soundtrack by James Ginzburg and Yair Elazar Glotman produced for the collaborative installation "Nimbes", developed with Joanie Lemercier for the 360 degree dome in Montreal's SAT centre. The soundtrack, realised within the vast interior of Berlin's Kraftwerk power station, employs the cavernous reverb of the space in response to the video's encompassing narrative of scale, time and entropy. Centred around the use of contrabass and elemental percussion, the stark rendering of instrumental sound crafts an evocative portrait of this former industrial site, mapping an overarching texture onto the underlying acoustic compositions. The project draws parallels to Ginzburg's sonic spatial explorations within emptyset alongside Glotman's own forensic examinations of rhythm and tonality initiated through his work as Ketev, bringing the two into a formal dialogue through techniques of acoustic production.
The release is accompanied by a remix from Eric Holm, reforming the material through his dense custom created signal chains, and a remix from Yair Elazar Glotman who extracts the essence of the original recording and sculpts it into an adeptly controlled vista of sound.
Subtext Recordings
James Ginzburg & Yair Elazar Glotman - Nimbes - Yair Elazar Glotman Version (clip)
James Ginzburg
Real Name:
James Ginzburg
Profile:
Hailing from Washington DC (USA). Ginzburg moved to England in 1998 and settled in Bristol. Producing under a variety of Aliases, he has released dozens of records and a number of albums since 2003. He set up the the Multiverse Music network of labels and publishing house in 2004 with Pinch and James Fiddian.
http://www.jamesginzburg.com/
Yair Elazar Glotman
Profile:
From glacialmovements.com:
Yair Elazar Glotman is a musician and sound artist living and working in Berlin. His focus is on experimental electroacoustic composition, sound installations and sound sculptures. In addition, he works as a sound designer and composer for film, dance and video art.
His education includes Classical Double-Bass, electroacoustic composition and Art and Media studies, where he explored the gap between sound art and contemporary music.
His work has been played at various sound venues including ZKM Center for Art and Media Karlsruhe, KW Institute for Contemporary Art, LEAP Gallery, NK and FEED Soundspace.